Image courtesy of Colonial National Historical Park, Yorktown.

Sunday, October 18, 2026

Next Meeting: November 18, 2026


Due to Michael Aubrecht's inability to travel at this time, Lorna Hainesworth will present:

“Seasons of Arnold: Retracing the Routes of the 1775 Expeditions to Invade Canada.”
 
This presentation will give us a traveler's view of the expeditions from Cambridge, Massachusetts and Fort Ticonderoga to Quebec in the latter third of 1775.  Using current day maps, we will be able to follow the Continental soldiers’ travels and visit the locations through which they trekked. We will also learn what happened to some of the soldiers after the Battle of Quebec and their return to the Lake Champlain area.
 
Lorna Hainesworth is an Ambassador and National Traveler. She supports various American History organizations for which she acts as a self-appointed Ambassador.  As a National Traveler, Lorna has researched and driven the length and breadth of our nation on numerous Historic Roads seeking places of significant interest. In addition to the Revolutionary War, she has studied the Lewis and Clark Expedition, the History of Surveying and the War of 1812.  Lorna is retired from government employment and makes her home in Randallstown, Maryland.

Friday, October 2, 2026

Meeting Notes: September 16, 2026

ARRT-Richmond welcomed Illustrator Cortney Skinner, who delivered the evening’s presentation: Paul Revere’s Ride, An Illustrated History, which was honored with the American Association for State and Local History (AASLH) Leadership in History Award of Excellence.

 

 

Skinner’s insight into Revere’s ride adds fascinating context to the story most know chiefly from Longfellow’s iconic poem. Details gleaned from his painstaking research to ensure the historical accuracy of his illustrations also helped pinpoint previously unknown timing and location details of Revere’s route.

Research highlights include:

·         Considering the tidal phase and Revere’s likely embarkation point to calculate the time it would have taken him to cross the Charles River from Boston to Charlestown

·         Calculating the moon phase and its exact position at varying times during the night to determine accurate lighting and the angle and length of shadows at various locations along Revere’s path. This information also informed Skinner there was likely a shadow across the Charles River at the point Revere crossed that allowed him to go unseen by the nearby British Man of War Somerset

·         Building a period-accurate topographical model of Boston to ensure proper perspectives and viewsheds of the illustrations

·         Researching and re-creating the wallpaper pattern that hung in Hancock/Adams room of the Reverend Clark’s home

·         Investigating the common cattle and chicken breeds of the time to ensure accurate depiction

These are just a few of the many detailed research projects Skinner undertook to give his readers the most period-accurate view of what Paul Revere saw during his ride.

This closer look into the history of that fateful night is perhaps only surpassed by Skinner’s deeply moving illustrations, which add context to this pivotal moment in the history of the American Revolution in a way that couldn’t be otherwise achieved.

Paul Revere’s Ride, An Illustrated History is available through The Paul Revere House.

Skinner’s webpage shares his portfolio, news and more.

His biography states:

“I'm a freelance illustrator and concept artist based in Virginia, with over three decades of professional experience. My work spans book covers, historical illustration, maps, portraiture, editorial art, and collectible card game imagery.

“My clients have included major publishers, film and television production companies, and collectible card game companies. My illustrations have appeared on the covers of novels, in magazines, and as card art for games set in beloved fictional universes including Star Wars, Tolkien's Middle-earth, and Dune.

“Trained in traditional media, I work primarily in oils and digital painting by hand using a stylus and tablet.

“I do not use AI imagery.

“My work includes meticulously-researched historical illustrations which display accurate and exciting imagery with a strong sense of narrative. Whether depicting an historic midnight ride or a fantastical creature from another world, my artwork is grounded in careful observation and a deep love of storytelling.

“Beyond commercial work, I maintain an active personal practice, exploring portraiture, landscapes, and imaginative subjects. I'm available for commissions in a wide range of genres and media.”